This does also make it a very competitive space, and anyone who knows me realises I don't have a competitive bone in my body.
Either what I do seems good to others and they employ it, enjoy it, reward it, exploit it, etc.
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Or they don't get it.
And my dabble in the film business in the 1980s gave a real glimpse of the shark pool, the scripts that never get made, the people who make their living in pre-pre-production, and all that.
I came across a hilarious Poster Guide on a Screenwriter's Life, that Michael Dare did for the LA Weekly, which you can find full size here.
It puts it all in perspective. Don't give up the day job.
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