The second year I did NaNoWriMo I had some kind of game plan, and it seriously helped to have a vague outline, a theme, and a decision to create short chapters.
The social aspect of the NaNoWriMo community meant I had already been interviewed as an "Over 50" person for their podcast - so I explored the video channel they had, as well, in which you either cheer people on, and motivate them, or maybe brag about how well you are doing, or complain about getting stuck.
As I had got ahead on words, I did the podcast, and even thought "I could make a video, I have a webcam".
The hum from the fan on my computer in 2008 really interfered with the sound, so I added some Eno sounds to baffle that a little bit, and having no lighting, deliberately did it in minimal light - which increased the lines on my face, and looked pretty sinister. Be aware, the sound and light all seem terrible quality to me now, but I just found them again on Viddler (I didn't even remember having a Viddler account!) so I have put them here for my own amusement and embarrassment.
Here's a direct link, if you have any problem with a four-year-old embed...
So that was at the end of the first week, and the written words were going fine (the comments come from other would-be writers). A couple of days later, and still using sounds to smother the whine of the computer, I decided to make another clip, using Movie Maker to edit bits and pieces.
Direct Link
And whaddya know, ten days later, in spite of fiddling around with videos and all that, I had completed the minimum target of 50,000 words and was, in the terms of the self-challenge which is NaNoWriMo, a "Winner" - you get a certificate, and everything!
So yeah, I made a bragging video, which was not intended to demoralize people who were still struggling (as I had the year before) but just to celebrate - not something I do much - and maybe hope to display what fun it was to just complete the task, whatever the actual quality of the book.
Direct link, if it helps (?)
I went on to commission a cover from Bobby Campbell, and produce a hard copy print edition on Lulu - all for the sheer fun of it.
The whole thing remains amateurish, but remember that before that word came to mean 'rubbish', it originally meant people who do things just for the love (amo) of it. I tried to find the word (when hitching around Mexico) to explain why I juggled (and they asked if it was 'my job') - I wanted to say it was my hobby, but didn't have the right words, until someone offered that perhaps I was an 'aficionado' (amateur).
And that nailed it.
I have always found 'work' that I can do for the love of it. If I get paid, as well, that seems like a perk. Money ain't the object.
Tuesday, 23 October 2012
Wednesday, 20 June 2012
Impermanence never goes away
Since early childhood I have felt out of sympathy with my own culture in many ways - one of which relates to how long we get to live, and whether anything follows this life.
I have never felt entitled to "three score and ten" (70) years - but it does appear like a reasonable average, in spite of all the stories about the short lives of those in The Middle Ages in Europe.
Hearing that our dog may only have a year to live, and so profoundly changing his diet, filling him with an assortment of chemicals, and operating on him to attempt to extend his life does seem fairly extreme. Not that I don't want him to live longer and happier, you understand, but just trying to perceive the balance. We seem to have a horror of death.
How much is it worth?
We may assume that royals getting into their 90s relates not just to their genes, but to the quality of treatment they receive, so money can be well-spent, but I have a great distrust of the fear of death that seems so prevalent in this culture. Especially curious, when the Christian background should have left the ghost of a belief in 'going to a better place'.
I lean to what religious people might call atheism, but I don't like to define myself with a negative. I suspect that consciousness goes out like a candle, but I know I could be wrong. After all, I might find some sympathy with (say) a Native American saying "There is no death, only a change of worlds."
All Things Must Pass.
And in that context, the Buddhist approach has always made the most sense to me. Not the specific religious groups with chanting, and bells, and prayers and costumes and reincarnation, and so on (Buddha seems to have maintained a noble silence when questioned about such matters). The Buddhism that empathises with all sentient beings, but describes the inhabitants of the world as transients.
So the idea that our lovely dog may not get to live 12 years upsets me, but not a lot more than stepping on snails in the wet garden does, or accidentally sucking a spider into the vacuum cleaner. I am sad, but helpless, and doubt I will ever attain the pure ambition of a Jain or Vegan to prove completely harmless to other beings. I will grieve (unless I go first), but I will certainly try not to let the possibility/probability of him going first spoil what time we do have left together.
I hate my friends dying 'before their time' or even relationships falling apart, but I seem to shrug rather than 'rage against the dying of the light'. It seems somehow vain, to me, and anyway a misnomer, like the Battle with Cancer. I see everyone as 'just passing through'. Whenever I stop travelling I fail the simplicity test of a monk (bedroll, begging bowl. book and razor) - moss gathers when you stop rolling.
We don't get a variety of chances (unless the Multiple Worlds interpretation of Quantum Mechanics appeals to you) so who can tell how long I might have lived if (say) I had never smoked, rather than gave it up later in life? Statistics, and insurance companies can tell you the odds, but they never relate to individuals (a 14 million to one ticket wins the lottery most weeks). We make our choices, without all the facts. If I give up all the 'pleasures' that are bad for me, do I get to live longer or (as in the old joke) does it just seem longer?
Seeing clearly
The other aspect of Buddhism that appealed to me comes from the fact that the basic story has no supernatural qualities, no interference from God or 'gods'. A rather spoiled man (a prince) living the kind of sheltered life that many of us in The First World occupy, finally becomes exposed to, or confronted by, disease, old age and death - and it has a shocking effect on him.
He not only abandons his luxurious life, but his beloved wife and son, to go on a quest. We have enough trouble with suggestions that Jesus got married and had children (sex and sex organs) but the idea that he would abandon them really seems shocking, selfish behaviour. And yet:
And every one that hath forsaken houses, or brethren, or sisters, or father, or mother, or wife, or children, or lands, for my name's sake, shall receive an hundredfold, and shall inherit everlasting life. Matthew 19:29
Funny, how most people ignore so much of the actual advice contained in religious writings.
Ahem - initially over-reacting to his luxurious history Buddha becomes a total ascetic, but eventually finds that extreme unsatisfactory, too - before finally settling for a Middle Way.
So, not clinging to life, even if not recklessly seeking danger. That mysterious Zen detachment of the Samurai seems to turn into (in The West) a macho disregard for death (the hero of the movie never dies).
Hey ho, and yet another unfinished thought - arising from walking the dog and wondering how many more nights we have together.
[More later]
Skeptic's Annotated Bible
I have never felt entitled to "three score and ten" (70) years - but it does appear like a reasonable average, in spite of all the stories about the short lives of those in The Middle Ages in Europe.
Hearing that our dog may only have a year to live, and so profoundly changing his diet, filling him with an assortment of chemicals, and operating on him to attempt to extend his life does seem fairly extreme. Not that I don't want him to live longer and happier, you understand, but just trying to perceive the balance. We seem to have a horror of death.
How much is it worth?
We may assume that royals getting into their 90s relates not just to their genes, but to the quality of treatment they receive, so money can be well-spent, but I have a great distrust of the fear of death that seems so prevalent in this culture. Especially curious, when the Christian background should have left the ghost of a belief in 'going to a better place'.
I lean to what religious people might call atheism, but I don't like to define myself with a negative. I suspect that consciousness goes out like a candle, but I know I could be wrong. After all, I might find some sympathy with (say) a Native American saying "There is no death, only a change of worlds."
All Things Must Pass.
And in that context, the Buddhist approach has always made the most sense to me. Not the specific religious groups with chanting, and bells, and prayers and costumes and reincarnation, and so on (Buddha seems to have maintained a noble silence when questioned about such matters). The Buddhism that empathises with all sentient beings, but describes the inhabitants of the world as transients.
So the idea that our lovely dog may not get to live 12 years upsets me, but not a lot more than stepping on snails in the wet garden does, or accidentally sucking a spider into the vacuum cleaner. I am sad, but helpless, and doubt I will ever attain the pure ambition of a Jain or Vegan to prove completely harmless to other beings. I will grieve (unless I go first), but I will certainly try not to let the possibility/probability of him going first spoil what time we do have left together.
I hate my friends dying 'before their time' or even relationships falling apart, but I seem to shrug rather than 'rage against the dying of the light'. It seems somehow vain, to me, and anyway a misnomer, like the Battle with Cancer. I see everyone as 'just passing through'. Whenever I stop travelling I fail the simplicity test of a monk (bedroll, begging bowl. book and razor) - moss gathers when you stop rolling.
We don't get a variety of chances (unless the Multiple Worlds interpretation of Quantum Mechanics appeals to you) so who can tell how long I might have lived if (say) I had never smoked, rather than gave it up later in life? Statistics, and insurance companies can tell you the odds, but they never relate to individuals (a 14 million to one ticket wins the lottery most weeks). We make our choices, without all the facts. If I give up all the 'pleasures' that are bad for me, do I get to live longer or (as in the old joke) does it just seem longer?
Seeing clearly
The other aspect of Buddhism that appealed to me comes from the fact that the basic story has no supernatural qualities, no interference from God or 'gods'. A rather spoiled man (a prince) living the kind of sheltered life that many of us in The First World occupy, finally becomes exposed to, or confronted by, disease, old age and death - and it has a shocking effect on him.
He not only abandons his luxurious life, but his beloved wife and son, to go on a quest. We have enough trouble with suggestions that Jesus got married and had children (sex and sex organs) but the idea that he would abandon them really seems shocking, selfish behaviour. And yet:
And every one that hath forsaken houses, or brethren, or sisters, or father, or mother, or wife, or children, or lands, for my name's sake, shall receive an hundredfold, and shall inherit everlasting life. Matthew 19:29
Funny, how most people ignore so much of the actual advice contained in religious writings.
Ahem - initially over-reacting to his luxurious history Buddha becomes a total ascetic, but eventually finds that extreme unsatisfactory, too - before finally settling for a Middle Way.
So, not clinging to life, even if not recklessly seeking danger. That mysterious Zen detachment of the Samurai seems to turn into (in The West) a macho disregard for death (the hero of the movie never dies).
Hey ho, and yet another unfinished thought - arising from walking the dog and wondering how many more nights we have together.
[More later]
Skeptic's Annotated Bible
Sunday, 22 April 2012
What to do with my time...
I just stumbled over a wonderful online resource - The Paris Review. Well, I knew about The Paris Review, of course, because of some excellent compilations of interviews with writers that got published decades ago - as Writers At Work (ed. George Plimpton).
And now it turns out that the interviews appear online in the archives. If you want hard copy they cost quite a bit, but what a joy to have free access to these interviews! I'll start with Blaise Cendrars, I reckon (you have to start somewhere). I came across him through Henry Miller's recommendation, and only ever read him in translation (My French, in spite of those years spent at school, simply doesn't suffice).
3:AM Cult Hero: Blaise Cendrars
The hazy world of Blaise Cendrars Lee Rourke on Cendrars
I love the deadpan style:
"My dear sir, it's a matter of language. For several years, each time that I prepare to write a book, I first arrange the vocabulary I am going to employ. Thus, for L'Homme foudroyé, I had a list of three thousand words arranged in advance, and I used all of them. That saved me a lot of time and gave a certain lightness to my work. It was the first time I used that system. I don't know how I happened onto it . . . It's a question of language."
And now it turns out that the interviews appear online in the archives. If you want hard copy they cost quite a bit, but what a joy to have free access to these interviews! I'll start with Blaise Cendrars, I reckon (you have to start somewhere). I came across him through Henry Miller's recommendation, and only ever read him in translation (My French, in spite of those years spent at school, simply doesn't suffice).
3:AM Cult Hero: Blaise Cendrars
The hazy world of Blaise Cendrars Lee Rourke on Cendrars
I love the deadpan style:
"My dear sir, it's a matter of language. For several years, each time that I prepare to write a book, I first arrange the vocabulary I am going to employ. Thus, for L'Homme foudroyé, I had a list of three thousand words arranged in advance, and I used all of them. That saved me a lot of time and gave a certain lightness to my work. It was the first time I used that system. I don't know how I happened onto it . . . It's a question of language."
*****
Sadly, I find myself not writing at all - at least not contributing to anything more than the ephemera of the internet. I really did set out with good intentions to tackle the autobiography this time, but even with the wonderful Scrivener for Windows to play with I just can't motivate myself.
So much so, that I think I might have to publish the work-in-progress under the title of Mockup (an unused title I quite like, but what the hell, you can't keep everything secret) and be done with it until I feel dissatisfied and go back to polish up edition two (these joys and temptations arise from the nature of modern, Print-On-Demand self-publishing).
Wednesday, 15 February 2012
Ritual and Romance

My birthday on the now secular Valentine's Day sparked the title for this post, but also the fact that I found myself working on material related to Jessie Weston's book about the Death and Resurrection Show, and myths and legends, elements and initiations, The Holy Grail, the Hero's Journey, and all that.
At the same time, reading Turn Off Your Mind (originally published as Turn Off your Mind: The Mystic Sixties and the Dark Side of the Age of Aquarius), and the latest Crowley biography, "Aleister Crowley: The Biography - Spiritual Revolutionary, Romantic Explorer, Occult Master - and Spy" by Tobias Churton.
I have to say that I have never found Magick that attractive. But then again, even as someone who reached the age of 21 in 1967 (and lived in Notting Hill at the time) I never could finish reading "Lord of The Rings". Too twee, too fey. And I don't have a religious bone in my body. The Christian subtext of books by C.S.Lewis must have leaked out to make me feel queasy. I didn't get involved in "Stranger In A Strange Land" (a rather right-wing Heinlein cult book, with curious links from Crowley to L. Ron Hubbard and Scientology) and I also find the trend to self-mutilation as a fashion (tattoos and piercings) quite weird. So I have little interest in, or affection for, gnomes, elves, hobbits, magical powers, sword and sorcery, faerie, witches, cosplay, etc. Sad news for Star Wars fans, I dare say, who seem to still love that 'knights in armour' romance, with swordplay as a pastime (or honourable, serious duel) in a world of guns. The code of the samurai, Zen, etc.
Having said all that, in an online study group I mingled with serious students of Magick who seriously disliked my flippancy and sarcasm, and worked hard to convince me that Thelemic Magick did not belong in the same camp as the religions I sneered at. I still consider that a moot point, but out of respect for other people's belief systems (BS) I cooled it.
I don't have any 'taboo' problem with Pagans, or Wiccans or people who choose to follow Lucifer (I suspect Madame Blavatsky called her magazine that just to tease 'the straights'). I simply don't believe that the world actually contains ghosts and spirits and aliens, etc. I haven't experienced them. If this mysterious world does contain other lifeforms, or higher intelligences, or gods, or spirits, etc - then presumably that remains true across time and space. Why would they have knowable names in Latin and Greek (what would a South American shaman call them?) Why would they even want to communicate - do you talk to the ants in your garden? How come Crowley doesn't seem to have met Mescalito (as Castaneda claimed to have done)? All the silly questions of the smart-ass child. Secret Chiefs? Um, yeah, OK, whatever. Duh.
I think I had trouble with the American Thelemites because they didn't understand that my resistance to Crowley did not arise from Christian horror, or tabloid name-calling, fear of Black Magic, etc. He obviously had great intelligence and charisma, etc. What I suffer from (as a prejudice of my own) arises from the British class / caste system.
All his achievements seemed less impressive (to me) when I thought that he never had to work a day in his life, had the freedom to travel around the world (when that put you in a much more exclusive club than in these days of tourism), and so on. Not to say he didn't suffer, or go through poverty and insecurity, etc.
Still, he appeared to me to belong in a group called 'Conservatives' (however broad a spectrum that can cover) and I had a built-in loathing for the position. I didn't even have too much of a problem with his Nietzschean elitist attitude, as I probably appear pretty snobby about stupid people, the bourgeoisie, etc, myself. The arrogance and smugness of the affluent and powerful in the UK, however, still pushes my buttons. One thing that Churton suggests contributed to some of his love of show was the fact that he had money but it came from 'trade' - so he never really got accepted by the aristocracy (you have to understand the caste system). Maybe that led him to enjoy appearing as Lord Boleskine, or various Counts, Princes, Sheiks, etc. Then I read on, to find just how much AC came to hate the stuffy, rigid, inflexible world of the British class system himself. Recasting him in my mind as a bohemian and artist changes the whole feel of the thing, for me.
Still, he appeared to me to belong in a group called 'Conservatives' (however broad a spectrum that can cover) and I had a built-in loathing for the position. I didn't even have too much of a problem with his Nietzschean elitist attitude, as I probably appear pretty snobby about stupid people, the bourgeoisie, etc, myself. The arrogance and smugness of the affluent and powerful in the UK, however, still pushes my buttons. One thing that Churton suggests contributed to some of his love of show was the fact that he had money but it came from 'trade' - so he never really got accepted by the aristocracy (you have to understand the caste system). Maybe that led him to enjoy appearing as Lord Boleskine, or various Counts, Princes, Sheiks, etc. Then I read on, to find just how much AC came to hate the stuffy, rigid, inflexible world of the British class system himself. Recasting him in my mind as a bohemian and artist changes the whole feel of the thing, for me. Anyway, and ahem, this new biography seems the fairest and clearest I have read (and I've read them all). Tobias Churton has done a fine job, and this helps me understand more of AC himself, including the almost untold story of his involvement in espionage (although Richard Spence's "Secret Agent 666" did get there first with this theme).
In fact, not just Crowley has emerged as having possible 'intelligence' connections. Both Gurdjieff and Madame Blavatsky have now had similar rumours spread about them, as has Houdini! I put some of this in a blog as ESPionage and magiCIAns - which also indicates John Mulholland (well known stage magician) as having advised the intelligence services about using sleight of hand to (for instance) spike people's drinks.
Ahem.
I just don't do rituals. Me personally. I don't even do birthdays and New Year, marriages and funerals, very well. The small 'rituals' of the day - like coffee - I consider as more like routines. Dressing up and taking on other personas belongs in theatre and performance, to me.
I remember a sharp-suited and witty, married, Jewish atheist - a friend of my mother - who eventually came out as gay, split from his wife, became a Catholic and dived into Opera, and when I asked him about it he said he just loved all the costumes, and incense, and music, and emotions and ritual, etc. It sounds like a stereotype, but this was one (real) person. Ceremonial magic appears to employ the power of ritual, just as the Catholic Church does (dwarfing scale of cathedrals, the sound of choirs and organs, the incense, the ritual movements of kneeling and crossing yourself, the wafer and the wine, etc). I guess my resistance came from perceiving the parallels, not the differences.
I certainly can't dismiss other people's experiences, and I know that if I don't try the experiments then I can't really comment effectively. One of my teachers, Robert Anton Wilson, certainly considered some of Crowley's experiments worth trying, but I never did agree with him on everything. In Cosmic Trigger he dismisses vegetarianism as sentimental, and never had a good word to say about astrology (even though Crowley - and Antero Alli - spent a lot of time on it, wrote about it, used it, etc). 
To me, astrology proved a rather effective mythological language and short-hand for discussing states of mind, temperaments, etc. So although Bob recommending ceremonial magick to the well-prepared and cautious it didn't move me to try. But each to their own. He didn't get much out of a flotation tank (and neither did I), but some people swear by them. Whatever, as they say, turns you on.

To me, astrology proved a rather effective mythological language and short-hand for discussing states of mind, temperaments, etc. So although Bob recommending ceremonial magick to the well-prepared and cautious it didn't move me to try. But each to their own. He didn't get much out of a flotation tank (and neither did I), but some people swear by them. Whatever, as they say, turns you on.
So, hey - I will try to shape up some of my ideas in this realm, as part of this year's project. You can see some initial work I did on the elements and initiation for a blog back in 2005, here - The Third Degree.
I also wrote an imaginary meeting between two different kinds of magicians, Houdini and Crowley, which might have ended up as a comic book, 
but never did. So I expanded the words, and got a few of the illustrations done, and put it online anyway. Magical Means.

but never did. So I expanded the words, and got a few of the illustrations done, and put it online anyway. Magical Means.
As you may have guessed, I find magic of the stage variety far more interesting and entertaining. I compile notes about the subject (including the psychology of it) in a blog called Intelligence Increase.
Wednesday, 8 February 2012
Good to know it can be done...
Of course, reading about self-published people who made it big closely resembles reading about lottery winners who say "I went into a shop, paid a pound, and guessed six numbers", but it still feels good to know that some people have made print-on-demand (or, in this case, eBooks by Kindle) work for them, without going the old mainstream publishing route.
I feel reassured it can happen, but that doesn't improve my own odds from 14 million to one, not really.
Any more than anyone could have predicted that combining Just William, boarding schools and magic spells would have made J.K. Rowling richer than the queen.
Thursday, 19 January 2012
Always Merry and Bright

I loved Henry Miller at one point in my life, when he turned up to lift my spirits and give me courage.
"What we all hope in reaching for a book, is to meet a man of our own heart, to experience tragedies and delights which we ourselves lack the courage to invite, to dream dreams which will render life more hallucinating, perhaps also to discover a philosophy of life which will make us more adequate in meeting the trials and ordeals which beset us. To merely add to our store of knowledge or improve our culture, whatever that may mean, seems worthless to me".
Henry Miller
So I would always defend his reputation, especially when confronted by people who dismiss his work without having actually read any of it - just based on rumours and a bad reputation.
In the 70s he got accused of misogyny, for instance, by Feminists - but if Erica Jong loves him enough to write a memoir/biography (The Devil At Large), and Anaïs Nin remained a close friend, perhaps you might consider him worth another look.
Not that I care to promote him - the world remains full of books you and I may never read. I'll just keep him as my little secret treasure.
His position in challenging censorship stays valid, surely - a successful battle - and one from which we all still benefit (if you don't mind reality). In many ways he broke ground for the later Beats, for instance.

Like I said, his particular form of Gonzo autobiography may simply no longer appeal to people, but I have a soft spot for his philosophical musings, and other stuff. Hey ho, but you may still have trouble finding his books in your library.
Check out some online resources:
Henry Miller: personal collection (a site by his daughter)
The Henry Miller Library (in Big Sur) You can buy his books here.
Always Merry and Bright - an unauthorized biography, by Jay Martin
"What we all hope in reaching for a book, is to meet a man of our own heart, to experience tragedies and delights which we ourselves lack the courage to invite, to dream dreams which will render life more hallucinating, perhaps also to discover a philosophy of life which will make us more adequate in meeting the trials and ordeals which beset us. To merely add to our store of knowledge or improve our culture, whatever that may mean, seems worthless to me".
Henry Miller
So I would always defend his reputation, especially when confronted by people who dismiss his work without having actually read any of it - just based on rumours and a bad reputation.
In the 70s he got accused of misogyny, for instance, by Feminists - but if Erica Jong loves him enough to write a memoir/biography (The Devil At Large), and Anaïs Nin remained a close friend, perhaps you might consider him worth another look.
Not that I care to promote him - the world remains full of books you and I may never read. I'll just keep him as my little secret treasure.
His position in challenging censorship stays valid, surely - a successful battle - and one from which we all still benefit (if you don't mind reality). In many ways he broke ground for the later Beats, for instance.

Like I said, his particular form of Gonzo autobiography may simply no longer appeal to people, but I have a soft spot for his philosophical musings, and other stuff. Hey ho, but you may still have trouble finding his books in your library.
Check out some online resources:
Henry Miller: personal collection (a site by his daughter)
The Henry Miller Library (in Big Sur) You can buy his books here.
Always Merry and Bright - an unauthorized biography, by Jay Martin
Wednesday, 4 January 2012
A little more on Tati - reviews and articles

Rosenbaum on Tati at The Evening Class
Jonathan Rosenbaum's website
I found searching Jonathan Rosenbaum's website a bit tricky, so here are direct links to the pieces mentioned in the article above:
* Tati’s Democracy: An Interview and Introduction
* The Death of Hulot
Others:
The Dance of Playtime on The Criterion Connection
Rosenbaum's review of Jour de Fete (when re-released in its colour version) in the Chicago Reader - The Colour of Paradise
"All The World's A Circus" Rosenbaum's review of Parade - in the Chicago Reader.
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